Download A guide to biblical sites in Greece and Turkey by Clyde E Fant; Mitchell Glenn Reddish PDF

By Clyde E Fant; Mitchell Glenn Reddish

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Later another fourteen rows were added above them, bringing the seating capacity to approximately 17,000 spectators. The marble thrones in the front row were for prominent officials. The one in the center was for the priest of Dionysus Eleutherios; the one above it was for the Emperor Hadrian. The standing marble slabs between the orchestra and seats were erected as a barrier in the Roman period when gladiatorial fights with wild animals were held in the theater. ) Originally a sanctuary of Dionysus adjoined the theater.

The statues took their name from the maidens of Caryae in Laconia, who carried vessels on their heads during an annual festival there. One of the statues was carried to London by Lord Elgin, along with other antiquities known as the Elgin Marbles. The south porch sheltered the Tomb of Kekrops, mythical founder of the Athenian royal family line. The north porch of the Erechtheion is surrounded by six columns with elaborate bases and capitals, and above the elegant doorway leading into the temple was a frieze of gray Eleusinian marble with white marble figures, now in the Acropolis Museum.

On the front of the pedestal, public notices, including lists of draft-eligible young men, were displayed on whitewashed wooden tablets. ) likely was dedicated to Zeus of the Agora (Zeus Agoraios). ), often frequented by Socrates. Proceed next down the Panathenaic Way in the direction of the Stoa of Attalus. On the right is the foundation of the Temple of Ares, followed by the odeion in the center of the agora. C. E. The odeion, built in 20 B. E. by the Roman general Marcus Agrippa, son-in-law of Augustus, seated 1,000 and was famed for its absence of interior columns.

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